By James Dacey in Beijing on Friday 4 November
After enjoying clear blue skies for the first couple of days of my visit to Beijing, the breeze has disappeared and the smog has taken its hold. One local scientist told me this latest wave is due to pollution from factories south-west of the city, but others have told me it is difficult to pinpoint a particular source. Facemasks are being worn by every other person in the streets, but fortunately I’ve been sheltered by the walls and ceilings of Peking University (PKU).
By James Dacey in Beijing
Could you provide a short entertaining presentation of your research to a non-specialist audience, leaving them feeling both enlightened and inspired? How about trying to do it in a non-native tongue? That’s what several Chinese researchers did on Wednesday evening at the Science Slam event at the European Delegation headquarters in Beijing. The event was part of a day-long communications training workshop aimed at researchers who want to communicate their research to the general public and improve their ability to apply for research grants.
By James Dacey
Today is my first day in Beijing and boy am I glad I packed my winter coat. Despite the clear blue skies, it was just above freezing point as I arrived at the Beijing Computational Science Research Center (CSRC) this morning, with an icy wind bringing an added chill factor. I was with my IOP Publishing colleague Tom Miller as we were delivering a presentation about scientific publishing and journalism and our taxi driver decided that 2 km from the venue was as far as he fancied going. So a brisk walk later we arrived with chattering teeth in need of a thorough thaw.
Located a few kilometres north-west of Beijing’s centre, the CSRC is within the Zhongguancun hi-tech zone. The majority of buildings within the technology hub are occupied by commercial firms, and our icy walk took us past the impressive modern offices of Baidu and Lenovo among other companies. The CSRC, however, is focused primarily on the application of computational modelling to fundamental science research. Its seven divisions include physical systems, quantum physics & quantum information, and materials & energy.
By James Dacey
Today is Ada Lovelace Day (ALD), a day to celebrate the achievements of women in science, technology, engineering and maths (STEM). Named after the 19th-century polymath Ada Lovelace, the annual initiative also seeks to engage with the challenges of attracting more women into STEM careers and supporting career development. Now in its eighth year, the day includes a number of events and online activities.
The day will culminate in a few hours with Ada Lovelace Day Live!, a “science cabaret” event at the Institution of Engineering and Technology in London (18:30–21:30, tickets still available). In what promises to be “an entertaining evening of geekery, comedy and music”, the all-female line-up includes several scientists from the physical sciences. Among them is Sheila Kanani, a planetary physicist and science comedian who is the education, outreach and diversity officer for the Royal Astronomical Society in London.
By James Dacey
As science-inspired global initiatives go, it’s fair to say that the International Year of Light and Light-based Technologies (IYL 2015) burned brighter than its organizers could have imagined. IYL 2015 set out to raise awareness of the crucial roles light can play in areas such as sustainable development, education and health, and it did so through festivals, workshops, publications and a plethora of other activities. A final report published this week details some of IYL 2015’s key achievements and describes some of the year’s most memorable activities.
Among the highlights identified in the report is the Physics World film series “Light in our Lives”, a set of short documentaries about the role of light in people’s everyday lives. We commissioned the films as an official IYL 2015 media partner, embracing the collaborative and international dimensions of the year by working with filmmakers across the world. They include a film about how LED lanterns are enabling students to study after sunset in a rural community in India, and another about how lighting technologies are bringing a modern twist to Day of the Dead celebrations in Mexico City (see above).
Communicating science through video was the theme of a workshop I participated in yesterday in Hannover, Germany, as part of the Theory and Practice of Digital Libraries conference (TPDL 2016). It was a varied audience that included journalists, academics and librarians. I came away feeling inspired by all the possibilities, but realizing that science communication has a long way to go to use this medium to its full potential. I’ll share with you here some of the key messages.
As Physics World’s multimedia editor, I used my slot to talk about some of the journalistic videos I’ve produced and commissioned during the past few years – discussing what’s worked, what hasn’t and where I think journalistic video production is heading. I made the point that to create engaging web video you have to think carefully about how your audience will be watching the films. Your film may look great on a large monitor, but will it be enjoyed by someone watching it on a smartphone on a bus or train? Also, what are you trying to achieve with the film? Are you trying to entertain or promote something? Or perhaps you are trying to teach? The style and tone will vary depending on the purpose.
By James Dacey
This summer many of you will watch smoke billowing out of buildings as yet another villain wreaks havoc on the New York skyline in the latest Hollywood blockbuster. I’m willing to bet that as you eat your popcorn you won’t be thinking about the Navier–Stokes equations of fluid dynamics. (Well, perhaps you will now that I’ve mentioned it!)
In fact, part of the reason that virtual smoke in films looks so realistic is because visual effects (VFX) specialists have applied the Navier–Stokes equations to their graphics. This was one of the interesting tidbits I learned from a talk yesterday in London by Rob Pieké, head of software at Moving Picture Company (MPC).
Pieké was speaking as part of a half-day event on “physics and film” organized by the Institute of Physics, which publishes Physics World. The gist of his presentation was that basic physics principles are used in a variety of ways to create special effects that capture viewers’ attention. “The audience wants to see something fantastical but grounded in reality,” said Pieké. Another example he gave was how naturally bouncing hair in computer-generated characters is modelled on mass—spring systems. Each individual hair could be modelled on as many as 30 masses connecting by springs.
By James Dacey
The European première of a documentary recorded secretly within a Russian “atomic city” is among the highlights at Sheffield Doc/Fest, the international documentary festival that gets under way tomorrow in Sheffield, UK. City 40, directed by the Iranian-born US filmmaker Samira Goetschel, takes viewers inside the walls of a segregated city established by the Soviet Union during the Cold War as a guarded location for developing nuclear weapons.
The social model in Ozersk (formerly known as City 40) is reminiscent of what occurred in Richland, the US city near the Hanford site in Washington State where plutonium was produced for the “Fat Man” bomb that was detonated over Nagasaki, Japan. In both these US and Soviet cities, the citizens were lavished with higher-than-average salaries and standards of living, such as quality housing, healthcare and education systems. Today, Ozersk is still a closed city with an alleged population of 80,000 and exists officially as a facility for processing nuclear waste and material from decommissioned nuclear weapons.
By James Dacey
As concept albums go, the latest release by Jake Hertzog can certainly be stacked at the intellectual end of your record collection. This week, the US jazz-rock guitarist released his sixth studio album, entitled Well Lit Shadow – a suite of solo electric-guitar tracks inspired by images from the Large Hadron Collider (LHC) and other experiments at the CERN particle-physics lab. You can find details of how to purchase or stream the album on Hertzog’s website.
Now, I’m not the world’s biggest jazz aficionado but I gave the album a listen and it’s far more accessible than the concept might suggest. Hertzog’s musicianship shines through and bright walking riffs on tracks such as “Star Drops” and “Traces of You” evoke images of devoted researchers working through vast amounts of data in pursuit of knowledge. According to Hertzog’s website, some of the pieces are very literal attempts to depict the chaos and beauty of subatomic-particle collisions, while other tracks are more abstract meditations on the deeper meaning of these experiments. The album’s title track is described as “a musical poem dedicated to the philosophical implications of this science”.
By James Dacey
Concert hall acoustics was the theme of a fascinating panel debate last night at the Royal Opera House (ROH) in London. Among the speakers was British soprano and presenter Lesley Garrett who shared her views on the acoustics of some of the great concert halls in which she has performed. She was joined by acoustics engineer Trevor Cox, acoustics consultant Helen Butcher and sound engineer Paul Waton, who has recorded a range of classical concerts for the BBC. Insight: the Art and Science of Acoustics was co-hosted by the Institute of Physics, which publishes Physics World.
Cox – who featured in our 2014 podcast about sonic wonders – set the scene by describing some of the fundamental acoustic considerations in designing a concert hall. We heard clips of Cox playing a saxophone in an “anechoic” chamber, followed by the same sax lick performed in an oil tanker – the place with officially the longest echo in the world. Cox’s point was to show the difference between high clarity at the one extreme and intense reverberation at the other. The sound wasn’t quite “right” in both cases. “Concert hall design is about finding a pleasing balance between these two extremes,” he said.