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Tag archives: art and science

The devil wears pulsars, Leó’s lost love and a terrifying polonium plot

Out of this world: a Hubble T-shirt from Couth Clothing (Courtesy: Etsy)

Out of this world: a Hubble T-shirt from Couth Clothing. (Courtesy: Etsy/Couth Clothing)

By Hamish Johnston

Fancy a Hubble Space Telescope T-shirt or perhaps a pair of leggings printed with glow-in-the-dark stars and planets? For pictures and links to these and other stellar fashions, check out the STARtorialist blog, which is run by two astronomers based in New York City and described as “Where science meets fashion and scientists get fabulous!”.

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Oppenheimer and the Bomb

Photograph of the panel members from "Oppenheimer and the Bomb"

Backstage at the Swan Theatre with the panel members from “Oppenheimer and the Bomb”. From left to right: Oppenheimer director Angus Jackson, former literary editor of The Times Erica Wagner, playwright Tom Morton-Smith, physicist Frank Close and ITV science correspondent Alok Jha.

By Margaret Harris

It’s pretty easy to see why the Royal Shakespeare Company (RSC) wanted to stage a play about J Robert Oppenheimer. There is definitely a bit of Macbeth in the way this ambitious, aloof theoretical physicist rose to become the scientific leader of the Manhattan Project during the Second World War. Equally, there’s a hint of Caesar or Lear in Oppenheimer’s eventual downfall, which came thanks to a toxic combination of political intrigue and his own arrogance.

The parallels between “Oppie” and Shakespeare’s tragic heroes were highlighted on Saturday, when a group of physicists and artists gathered on stage at the RSC’s Swan Theatre for a panel discussion on “Oppenheimer and the Bomb”. The discussion was part of a programme of events related to the RSC’s production of Oppenheimer, a new play written by Tom Morton-Smith and based on Oppenheimer’s life in the 1930s and 40s. During the discussion, one of the panel members, director Angus Jackson, called Oppenheimer “a play about leadership” as much as science, noting that the leadership conflicts that Oppenheimer experienced were “comparable” to those of the heroes in the RSC’s traditional repertoire.

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A visit to an island called Nuuk

Blurred, shadowy photo image of a human figure in a boat

Anaïs Tondeur in collaboration with Jean-Marc Chomaz, Paul Syrillin, 2014, shadowgram, 11 × 24 cm. Image courtesy of the artist and GV Art gallery.

By Margaret Harris

The story of Nuuk began in the early 18th century when a French naval officer landed on a barren, ice-covered island and noted its coordinates in his logbook. The island, he reported, was volcanic in nature, but little else was known about it; indeed, later visitors to its supposed location found no sign of land. Rediscovered in the 20th century, Nuuk was soon visited by a series of scientific expeditions, one of which noted that the island’s surface area was shrinking. An observation station was set up on a prominent headland, but in 2012, it abruptly ceased transmitting; satellite images later revealed that Nuuk had vanished entirely beneath the ocean surface. Coincidentally, the final signal from Nuuk arrived just as the 34th International Geological Congress was meeting in Australia to discuss the emergence of a new, human-influenced geological age: the Anthropocene.

Nuuk and the various forces that contributed to its demise are the subject of a fascinating exhibition currently on show (until 29 November) at the GV Art gallery in London. Lost in Fathoms is a collaboration between an artist, Anaïs Tondeur, and a physicist, Jean-Marc Chomaz, who specializes in fluid dynamics. To develop her ideas about Nuuk, Tondeur spent a year in residence at Chomaz’s Laboratoire d’Hydrodynamique at the Ecole Polytechnique in France, while other parts of the exhibition grew out of a summer school in Cambridge, UK, that focused on fluid dynamics, sustainability and the environment.

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Blockbuster physics, bowling balls and feathers in a vacuum, and more

 

By Tushna Commissariat

The results of a successful scientific experiment can make scientists very happy. Indeed, in the clip above, taken from the BBC TV series Human Universe, one scientist exclaims “holy mackarel!” when he sees the outcome he was hoping for. In the video, everybody’s favourite physicist Brian Cox carries out an experiment similar to Galileo’s Leaning Tower of Pisa experiment, where he tested that no matter the mass of objects, they fall at the same rate under gravity. In the video above, Cox drops a bunch of feathers and a bowling ball in the world’s biggest vacuum chamber – the Space Simulation Vacuum Chamber at NASA’s Space Power Facility in Ohio, US. In the slow-motion video, you can see with exquisite clarity just how accurate Galileo’s prediction was, as the feathers and ball land at precisely the same time. We came across this video on the Dot Physics blog on the Wired Science network, written by physicist Rhett Allain, where he has worked out some of the maths and pointed out some of the nuances of the above experiment, so make sure you take a look.

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Cthulhu cosmology, Halloween outfits with a physics twist and more

 

By Tushna Commissariat

It’s not often that classical physics and Post-Impressionist painters collide, but when they do the results can be enchanting and intriguing. In one of the latest TEDEd videos, Natalya St Clair has created a short lesson that looks at “The unexpected math behind Van Gogh’s Starry Night.” The video above looks at the enduring mystery that is the turbulence we see in any kind of flows in the natural world and how the human brain can recognize and actually make some kind of sense of the chaotic random patterns turbulence describes.

As pointed out in the video, famous physicists such as Richard Feynman and Werner Heisenberg have noted the complexity of turbulence, with Feynman describing it as “the most important unsolved problem of classical physics” and Heisenberg saying that “when I meet God, I am going to ask him two questions: why relativity? And why turbulence? I really believe he will have an answer for the first”. But is it possible that the undoubted genius and troubled painter that was Van Gogh perceived something more about turbulence in nature and is this most clearly represented in his most famous masterpiece – the evocative painting known as Starry Night? Watch the video to find out.

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Quantum dances at the intersection of science and culture

Quantum dancers in action

Quantum dancers in action. (Courtesy: Grégory Batardon/BAM)

By Robert P Crease

I’m fascinated by the interactions between science and culture, which is what led me to the Brooklyn Academy of Music (BAM), which was hosting the US première of a dance piece called Quantum that had previously debuted where it had been created, at CERN. The event was staged in a simple, black-box space, with the audience seated around a square floor in three rows with no proscenium. But it was an upscale black box, with elegant seating upholstered in a blue-and-gold metallic sheen. Four industrial lights were suspended from the ceiling by long cables.

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‘Outspoken’ scientist reveals his Hollywood life

Photograph of Caltech cosmologist Sean Carroll at the Cheltenham Science Festival in 2014

Sean Carroll helps Hollywood use more believable science better in films. (Courtesy: Matin Durrani)

By Matin Durrani

This blog is a shameless plug for the latest Physics World podcast, in which I talk to Sean Carroll – the California Institute of Technology cosmologist who also serves as a science adviser to Hollywood.

I chatted with Carroll when he was in the UK speaking at the recent Cheltenham Science Festival and, in the podcast, you can find out about his favourite science-fiction films and why he thinks it’s important to get the science in such films right. Carroll also reveals who he thinks he’s most like in TV’s The Big Bang Theory.

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Art, physics and performance painting

Photo of artwork created by Adrian Pritchard

Artist Adrian Pritchard is a “performance painter” who here has created a public artwork by allowing coloured streams of viscoelastic fluids to mix. (Courtesy: Adrian Pritchard)

By Matin Durrani

I was in London at the end of last week to attend a meeting on “Communicating physics through the arts” (PDF), which had been organized by the Physics Communicators Group of the Institute of Physics (IOP), which publishes Physics World.

Held at the IOP’s headquarters in London, the idea of the meeting was to “ask artists to explore how they use their knowledge of physics during the development of their work” and to see “how physics could be communicated to the public through their work”.

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The biophysics of Godzilla, skipping stones, Schrödinger in the morning and more

 

By Hamish Johnston

I’m a bit of a connoisseur of the art of stone skipping. That’s because I grew up a stone’s throw from the western end of Lake Ontario, which thanks to its shale shoreline has the best skipping stones in the world. As a result, I was fascinated to read a piece on the Figure One blog about entitled “Frisbee meets fluid: Skipping stones takes spin and skill”.

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Earth’s cousin, alien intelligence, Galileo’s game and more

Illustration of Kepler-186f

Artist’s illustration of Kepler-186f. (Courtesy: NASA/SETI Institute/JPL-Caltech)

By Tushna Commissariat

Early last week, astronomers announced that they had found the first Earth-sized exoplanet that is comfortably within the habitable zone of its parent star, using NASA’s Kepler telescope. The new planet, dubbed Kepler-186f, is a close cousin of the Earth as it has a radius that is only 10% larger than that of the Earth, meaning that it could have liquid water on its surface, allowing for the tantalizing possibility of some form of life to exist upon it. At last count, Kepler has now discovered and confirmed 1706 exoplanets.

So it was rather interesting to come across two stories that looked at the implications of life beyond our planetary neighbourhood. Paul Gilster, who writes the Centauri Dreams blog had a rather interesting post on how artists and illustrators need to work with scientists to depict each new exoplanet, to make the images look visually stunning, while still being scientifically accurate. Gilster also talks specifically about the image (see above) that illustrates the newly found Kepler-186f.

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