Tag archives: out and about
By Margaret Harris in Glasgow
If you’re the first speaker after lunch at a conference, how do you make sure your audience stays awake and engaged?
For Oliver Ambacher – who occupied the dreaded post-prandial slot during Wednesday’s applied photonics conference at Glasgow’s Technology and Innovation Centre (TIC) – the answer is simple. You pretend to jump off a cliff.
Ambacher, the director of the Fraunhofer Institute for Applied Solid State Physics in Freiburg, Germany, made his leap (actually, several leaps of varying lengths) to illustrate one of the toughest challenges in applied physics: the yawning gap between what academic researchers can provide, and what industry scientists need to turn that research into innovative products. This gap is sometimes called the “valley of death”, and Ambacher’s point was that the risks of leaping across it are generally higher on the industry side. “If I, whose heart is still in physics, jump into the valley of death, I lose funding, maybe a project,” Ambacher explained. “But somebody from industry, they may lose their job. So they cannot jump so far.”
By Margaret Harris
Imagine you’re a veterinarian and a trainer asks you to take a look at a horse. The animal, a champion showjumper, is limping slightly but there is no obvious injury. Exploratory surgery would probably do more harm than good, and the alternative – magnetic resonance imaging (MRI) – isn’t risk-free either. You’d need to put the horse under a general anaesthetic, and you know horses don’t react well to that; in fact, around 0.5% suffer serious injuries while coming round afterwards. And that’s assuming you can even find a scanner big enough to fit a horse. What do you do?
This might sound like a fairly niche dilemma, but for Hallmarq Veterinary Imaging it has become the basis for a thriving business – a business, moreover, that has just won an IOP Innovation Award for the successful application of physics in a commercial product.
At the awards ceremony – which took place last night in the Palace of Westminster, London, just down the hall from the House of Commons chamber – I caught up with Hallmarq’s operations and technical director, Steve Roberts. After sketching out the scenario of the veterinarian and the injured horse, Roberts, a physicist, explained that Hallmarq’s MRI scanner fits around the horse’s leg. This means that equine patients can simply be led into it, sedated but conscious. Sophisticated error-correction and image-processing software helps the scanner compensate for the horse’s movement, and in 15 years of operation, Roberts estimates that veterinarians have used Hallmarq’s machines to scan more than 60,000 horses.
By Matin Durrani
Light was the theme in the UK’s second city last Friday when I and my colleague James Dacey attended Lightfest at the Library of Birmingham. Organized by Aston University and funded by the European Commission, the festival was a celebration of light in science, art, technology and culture during the International Year of Light (IYL2015).
By Margaret Harris
Here’s a Tuesday quiz for you. If you disagree with a colleague about something scientific, what should you do? Your choices are:
(a) Nothing. This is science, and the truth will win out no matter what I do;
(b) Take them aside and explain, privately, why you think they are wrong. Then, if they still disagree with you, get even by writing snarky anonymous reviews of their papers;
(c) Organize a panel “discussion” and tear them to shreds in front of all your colleagues;
(d) Take your case to the public by writing a popular-science book explaining the superiority of your own theory.
Okay, this is a trick question: I’m not sure any of those options is really a good idea (although I’m sure they’ve all been tried). I’d like to focus on the last one, though, because it was the subject of an interesting talk at the Science in Public conference, held last week in Physics World’s home city of Bristol.
By Tushna Commissariat
Regular readers will know that Physics World‘s Hamish Johnston and Louise Mayor will be attending the “Convergence” conference at the Perimeter Institute in Canada from tomorrow onwards. While the conference will undoubtedly prove exciting – just look at this list of speakers – it looks like the institute already has convergence on its mind as this month’s Slice of PI contemplates the “converging streams” of art and science. The video above features Perimeter researcher and artist Alioscia Hamma, who finds solace and symmetry in both his art and physics. Watch the video and read more about his work on the Perimeter blog.
By Margaret Harris
Giving out science careers advice is tricky. On the one hand, you want to be encouraging – not least because if you aren’t, there is a chance that your advisee will go on to win a Nobel prize, and you will then look extremely silly. But on the other hand, you also want to prepare the person, mentally, for the possibility of failure. Otherwise, when they do fall short, they may not know how to recover and try again.
The need for balance between encouraging big dreams and preparing for failure was one of the central insights to come out of Sunday’s panel on “Feminism, sexism and bringing up girls” at the Cheltenham Science Festival. After one of the panel members, psychologist Tanya Byron, noted that in clinical practice she sees many bright, successful girls whose fear of failure is “absolutely destroying them”, her fellow panellist Gabriel Weston put her finger on the heart of the problem. How, Weston asked, do we celebrate young women’s achievements and encourage their dreams without also pushing them to be “perfect little glass statues” who shatter under pressure?
By Margaret Harris at the AAAS meeting in San Jose
“Restoration of sight to the blind” is a brave claim, one with an almost Biblical ring to it. For Daniel Palanker, though, it is beginning to look as if it is an achievable goal. A medical physicist at the University of Stanford, Palanker has developed a prosthetic vision system that replaces damaged photoreceptors in the retina with an array of tiny photodiodes. When infrared images are projected onto this array, the photodiodes convert the light pulses into electrical signals, which are then picked up by the neurons behind the retina and transmitted to the brain. The result is an artificially induced visual response that, while not as good as normal vision, could nevertheless provide “highly functional restoration of sight” to people with conditions such as retinitis pigmentosa or age-related macular degeneration (AMD).
By Margaret Harris in San Francisco
The International Year of Light is a global celebration, but right now, it’s definitely got its heart in San Francisco. For the past five days, experts in optics, lasers and biomedical imaging have been converging on the “city by the bay” for the annual Photonics West conference, and I’ve joined them in order to learn more about the hot topics in optical science.
By Margaret Harris
It’s pretty easy to see why the Royal Shakespeare Company (RSC) wanted to stage a play about J Robert Oppenheimer. There is definitely a bit of Macbeth in the way this ambitious, aloof theoretical physicist rose to become the scientific leader of the Manhattan Project during the Second World War. Equally, there’s a hint of Caesar or Lear in Oppenheimer’s eventual downfall, which came thanks to a toxic combination of political intrigue and his own arrogance.
The parallels between “Oppie” and Shakespeare’s tragic heroes were highlighted on Saturday, when a group of physicists and artists gathered on stage at the RSC’s Swan Theatre for a panel discussion on “Oppenheimer and the Bomb”. The discussion was part of a programme of events related to the RSC’s production of Oppenheimer, a new play written by Tom Morton-Smith and based on Oppenheimer’s life in the 1930s and 40s. During the discussion, one of the panel members, director Angus Jackson, called Oppenheimer “a play about leadership” as much as science, noting that the leadership conflicts that Oppenheimer experienced were “comparable” to those of the heroes in the RSC’s traditional repertoire.
By Margaret Harris
The story of Nuuk began in the early 18th century when a French naval officer landed on a barren, ice-covered island and noted its coordinates in his logbook. The island, he reported, was volcanic in nature, but little else was known about it; indeed, later visitors to its supposed location found no sign of land. Rediscovered in the 20th century, Nuuk was soon visited by a series of scientific expeditions, one of which noted that the island’s surface area was shrinking. An observation station was set up on a prominent headland, but in 2012, it abruptly ceased transmitting; satellite images later revealed that Nuuk had vanished entirely beneath the ocean surface. Coincidentally, the final signal from Nuuk arrived just as the 34th International Geological Congress was meeting in Australia to discuss the emergence of a new, human-influenced geological age: the Anthropocene.
Nuuk and the various forces that contributed to its demise are the subject of a fascinating exhibition currently on show (until 29 November) at the GV Art gallery in London. Lost in Fathoms is a collaboration between an artist, Anaïs Tondeur, and a physicist, Jean-Marc Chomaz, who specializes in fluid dynamics. To develop her ideas about Nuuk, Tondeur spent a year in residence at Chomaz’s Laboratoire d’Hydrodynamique at the Ecole Polytechnique in France, while other parts of the exhibition grew out of a summer school in Cambridge, UK, that focused on fluid dynamics, sustainability and the environment.