Tag archives: music
By Hamish Johnston
When I was a young lad back in the late 1960s, my family would join the annual March migration of Canadians to Florida. Along with alligator farms and the endless beaches, the Kennedy Space Center was a popular tourist destination and I can still remember visiting it and getting a solar spinner globe as a souvenir. Sadly, since the end of the Space Shuttle programme in 2011, Florida’s “Space Coast” has fallen on hard times. While there are still rocket launches – there are two planned for April – thousands of NASA employees have been let go and the surrounding communities look worse for wear. The New York-based photographer Rob Stephenson has put together a collection of images taken in and around the centre that he calls “Myths of the Near Future”. To me the photographs evoke the allure of the space age as well as the inevitable decline of any human endeavour.
By Michael Banks
Fancy a bit of particle-physics electronica?
Then make sure you download the latest album from Isle of Wight electronic duo Cosmic Mind Warp.
In a “unique crossover” between the worlds of cosmology, quantum physics and electronic music, Alister Staniland and David Holmberg have just released a new concept album dubbed Subatomic Particles.
The 15-track album, which features songs such as “Large Hadron Collider”, “Quantum Tunnelling” and “Down Quark”, is described by the duo as a “hallucinogenic head-trip through the microscopic world of subatomic particles and the strangeness of quantum physics”.
By Hamish Johnston
Giving a fired-up talk at a physics conference is a good way for aspiring researchers to make themselves known to the community, but unless you have a natural gift, lots of practice is required. That’s why many universities and labs host “slams” to encourage staff and students to talk about their research to a broader audience. Above is a video of the sold-out Fermilab Physics Slam 2014, which was held last week at the lab on the outskirts of Chicago.
By James Dacey
There was a telling moment early on at the event I attended last night when science writer Philip Ball was asked to name his “perfect song”. With a slightly bemused look, Ball picked a tune that I’m pretty sure few in the audience had heard of – “The Most Wanted Song”, which was co-written by a neuroscientist to incorporate the musical elements that people find most pleasing to the ear. Give the tune a listen and you’ll realise that it is a horrible saccharine track that you’ll quickly want to turn off. Of course, the point of the song – and Ball’s choice – was to ridicule the idea that you can create beautiful music with a formula.
Ball was part of a panel discussion at the Royal Opera House in London on “What makes the perfect song?”. He was joined by physicist-turned-opera singer Christine Rice and musicologist Maria Witek, and the event was chaired by the physicist, broadcaster and former pop star Brian Cox. While the panellists were unanimous in their belief that music is a complex emotional thing that cannot be fully explained by physics, they did have some fascinating insights into the science of song.
By Hamish Johnston
“How we created spooky experimental music in a superconductor lab”: what physicist could resist clicking on this story, which appeared on the Guardian website earlier this week? Written by the physicist-turned-computational-biologist Andrew Steele, the article describes how Steele and a few pals converted a magnetic sensor into a musical instrument. Like the theremin, which is played by waving your hands around an antenna, this new instrument responds to the player’s motion. But because the sensor was optimized for studying superconductors rather than creating freaky mood music, Steele explains the “instrument covered three octaves in less than a centimetre of hand movement”. He suggests that playing the instrument should probably be left to a talented gerbil rather than talented superconductor researchers. You can listen to Steele’s attempt at making music on SoundCloud.
By Tushna Commissariat
While you would not actually be able to hear the uplifting notes of the music in the vast emptiness of space, a newly composed string and piano orchestral piece has unexpected ties to the cosmos. That’s because it is based on 36 years’ worth of data from NASA’s Voyager 1 and 2 spacecraft. Domenico Vicinanza, a trained musician with a PhD in physics who works at GÉANT, a European data-network company, says that he “wanted to compose a musical piece celebrating Voyager 1 and 2 together, so I used the same measurements (proton counts from the cosmic-ray detector over the last 37 years) from both spacecrafts, at the exactly same point in time, but at several billions of kilometres of distance [of] one from the other”. The result of this “data sonification” is a rather beautiful piece of music – one of the best examples of physics and the arts coming together that we have heard. Of course, the story garnered considerable interest…you can read more about on the Wired and Guardian websites.
By Matin Durrani
Running on hydrogen and oxygen and producing just electricity without any nasty emissions, fuel cells have over the years been used to power everything from bikes and buses to cars and even planes.
But last week saw the debut of a fuel cell at Imperial College London that was used to power a rock band. The fuel cell was unveiled at a summer barbeque organized by the Hydrogen and Fuel Cells (H2FC) Supergen Hub – a scheme funded by the UK’s research councils to boost interest in fuel cells among UK universities and businesses.